Get our new products and designs straight to your inbox
Posted by cara in Art Prints, Artist Profiles, and Uncategorized
New Scenic Photographic Prints From Simon Butterworth

We’re very excited to be launching some new photographic prints on Evermade, from established photographer Simon Butterworth. Travelling around the world, Simon pin points various locations of interest to focus on, capturing unseen and overlooked sites of intrigue. Splitting his creative efforts between landscapes and architectural photography, his meticulous style lends itself perfectly to examining close up detail of far flung destinations and towering cityscapes.

We have selected works from Simon’s Red Road, Propinquity and Blue Fields series, taken in Glasgow, Hong Kong and Australia.

Red Road document the last look at a failed Glaswegian social housing scheme from the 1960′s before the large concrete structures are to be completely demolished. After gaining a reputation for anti-social behaviour, the decision to evict all residents and knock down the notorious estate was made. Photographed in the final stages of their standing, the buildings were stripped of their outer bodywork and covered in red netting to await their destructive fate.

Simon Butterworh

Propinquity can be defined as proximity or physical closeness, this is an exact description of what Simon encountered when he visited the chaotic housing sites of Hong Kong. Fascinated with their fearlessly high means of accommodation, the series communicates the incredible amount of lives compacted into one space.

Simon Butterworh

Blue Fields are stunning aerial photographs of the Useless Loop solar salt operation situated in Shark Bay, the westernmost point of mainland Australia. Shot from a light aircraft flying at between 4,000 and 5,000ft, the shallow ponds of salt crystals otherwise known as crystallisers, can be seen clearly from above. Taking on the appearance of an abstract watercolour on canvas, it is hard to believe these aren’t paintings, as the reflection of the sky gives them their dazzling blue appearance and the tracks left by salt harvesting machines look like brushstrokes.

Simon Butterworh

We spoke to Simon about how he finds these amazing locations and what interests him about the places he visits:

What made you want to be a photographer and how did you start out?

I studied at the Royal Academy of Music in London and pursued a career performing classical music for several years. In 2003 I took a big decision and moved to Scotland so I could spend more time in the Highlands and Islands. It was at this time that I became interested in photography, I wanted to capture the amazing sights I witnessed whilst exploring this stunning country.

Simon Butterworh

Can you tell us a bit about your style and how you decide on the places you visit?

I don’t consciously think about style but the pictures I produce have a graphic quality that seems to happen whether I want it or not! I have been extremely lucky to have traveled to many parts of the world as a musician, playing concerts in many different cities has given me an overview which has been incredibly useful when planning photographic trips.

Simon Butterworh

You get to travel a lot for work, which must be very exciting! Can you name a few favourite locations you’ve photographed so far?

My three favourite photographic locations have to be Scotland, Hong Kong and India.
Scotland because it’s a country of huge contrast, fabulous wild scenery contrasted with gritty urban and industrial landscapes. Hong Kong because it’s a city of the future….but happening now! Lastly, India because it stimulates every sense in a way that no other location can.

Simon Butterworh

You photograph both architecture and landscapes, which do you prefer to shoot?

I enjoy both equally, I tend to oscillate between subjects and try to reach some kind of visual equilibrium depending on where I happen to be at the time. I also enjoy photographing people mainly in documentary projects.


It’s nice that your images often have an interesting story behind them, the Blue fields for
example are so beautiful! How did you find out about them?

I have to thank my Australian friend Rob for the trip to Shark Bay. He organised a fabulous tour ‘Down under,’ which included many spectacular locations across the continent.

How did it feel having your Blue Fields series shortlisted for a Sony Photographic award?

The Sony World Photographic Awards are the biggest photographic awards in the world. The Blue Fields series was picked from 173,444 entries from 171 countries so naturally I was absolutely thrilled!

Simon Butterworh Simon Butterworh

The Red Road set of images are of the remains of what used to be homes, is it weird seeing such a large empty structure that used to be home to a lot of people?

Red Road is an awe inspiring set of structures, particularly when stripped back to the bare bones. It had a reputation for serious social problems, but many ex-residents I have spoken to whilst taking photographs told me how much they enjoyed living there.

Simon Butterworh Simon Butterworh

The Propinquity series is so amazingly detailed, you almost can’t believe that that many people live in such close proximity…Was it just as crazy in reality?

The high-density, high-rise housing schemes in Hong Kong have to be seen to be
believed. I find these buildings situated in such a spectacular landscape utterly fascinating. It’s hard to believe they are full of thousands of people living their lives in such close proximity….or propinquity!

Simon Butterworh Simon Butterworh

What projects do you have planned next and where else would you like to visit?

I have become interested in the ultra complex structures of large scale industrial production. It’s a tough subject to photograph because of permissions and security issues. I would also like to spend more time in China looking at some of the large scale infrastructure projects China has such a talent for.

Available now from Evermade, the prints are available at A2 size, with a framed or unframed option.